OUR TOP 5 PERFORMANCES OF 2025...

Professor Green Returns to the Stage in Style

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After some time away from the spotlight, multi-award-winning artist Stephen Manderson, better known as Professor Green, made a triumphant return to the stage—and it was as if he’d never been gone. Taking to the mic with the confidence and charisma that made him a household name, Green eased into his set like a duck to water, instantly commanding the attention of the festival crowd.

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Joined by long-time collaborator, vocalist and DJ Tommy Jules, the duo delivered a high-energy, emotionally charged performance that blended iconic Pro Green classics with fresh, newly released material. From the very first beat, the audience was locked in—nodding heads, waving arms, and rapping every lyric back with passion.

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The performance wasn’t just a comeback—it was a celebration. Longtime fans relished the return of familiar anthems, while a new generation discovered why Professor Green continues to be one of the UK’s most authentic voices in rap and grime. As the sun dipped behind the festival horizon, a sea of voices rose to meet the evening air, singing in unison with raw energy and joy.

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Then came one of the most poignant moments of the night. As the tempo softened and lights dimmed, the unmistakable vocals of Emeli Sandé echoed across the crowd. Her soulful tones, paired with Green’s heartfelt lyrics, created a powerful atmosphere that sent chills through the audience. Thousands of phone torches lit up the night sky, illuminating the crowd like stars—an unforgettable sight and sound that perfectly bridged nostalgia and the now.

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It was more than just a performance—it was a statement. Professor Green is back, and judging by the overwhelming response from the crowd, he's exactly where he belongs: centre stage.

Harley Moon Kemp Shines Bright on Sunday’s Indoor Stage

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On the Sunday, the buzz may have been winding down outside due to the rain — but inside on the festival’s indoor stage, the atmosphere was anything but quiet!

 

All eyes and ears were on rising country star Harley Moon Kemp, who delivered a Sunday performance that was both soul-stirring and refreshingly intimate.

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With her signature blend of heartfelt lyrics, warm melodies, and effortless charm, Harley took to the stage with a quiet confidence that quickly captured the room. Backed by a tight-knit band, she invited the crowd into her world—one song at a time — offering up a set that felt as personal as it was powerful.

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From the moment she struck the first chord, it was clear that Harley wasn’t just performing — she was connecting. Her setlist wove together stories of love, resilience, and identity, with fan favourites sitting comfortably alongside tracks from her latest releases. There was a raw honesty in her delivery, a storytelling quality that reminded everyone in the room why country music continues to resonate across genres and generations.

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In a weekend packed with noise, energy, and engines, Harley Moon Kemp carved out a moment of country, connection, and soul — a reminder of the power of music to cut through everything and speak directly to the heart.

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Sunday may have marked the end of the festival, but for those inside that stage, Harley’s voice lingered long after the event came to an end. And if this performance was any indication, her star is only just beginning to rise.

Amber Jay & Genetics Light Up the Main Stage with a DnB Masterclass

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As the sun dipped lower on Saturday evening, the energy at the main stage shifted into overdrive with a performance that shook the ground and stirred the crowd. Taking their place just before the headline slot, Genetics, one of the most exciting names in Drum & Bass right now, teamed up with powerhouse vocalist Amber Jay to deliver a set that was nothing short of electrifying.

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From the very first drop, Genetics had the crowd moving. His set was a fast-paced, expertly crafted journey through high-octane DnB—heavy on the bass, relentless on the rhythm, and packed with precision. Blending classic jungle roots with modern DnB edge, Genetics proved exactly why he's gaining serious traction on the UK underground circuit and beyond.

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Then came Amber Jay, storming the stage with undeniable presence and a voice that soared above the beats with raw emotion and pure fire. Her vocals didn’t just sit on top of the tracks—they cut through them, adding soul, storytelling, and power to every drop. Whether delivering fierce verses or soaring hooks, Amber had the crowd locked in, hands in the air and hearts in their throats.

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Together, the duo fed off each other’s energy in real time. Genetics kept the tempo relentless, while Amber commanded the space with passion and poise—bouncing across the stage, connecting with the crowd, and matching every beat with infectious charisma.

By the midpoint of their set, the crowd had doubled in size. People were drawn in by the sound, the vibe, and the chemistry between two artists at the top of their game. A sea of dancing bodies filled the main arena, festival-goers young and old caught up in the kind of moment you can’t plan—you just have to feel.

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Their performance was more than a warm-up for the headliner—it was a headline-worthy showcase in its own right. For fans of Drum & Bass, it was heaven. For those new to the genre, it was a powerful introduction to the sound and spirit of DnB done right.

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As their final track exploded through the speakers and Amber’s last note rang out, the crowd erupted. And just like that, the stage was perfectly set for Professor Green — but there’s no doubt: Amber Jay and Genetics made that stage their own.

Saturday night in July, main stage lights up, the sun’s gone, the air’s buzzing — and then Pretendulum hit the stage, and the whole vibe changed.

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For those who haven’t heard of them yet, Pretendulum are a UK-based Pendulum cover band — but honestly, calling them a "cover band" feels like underselling it. These guys don’t just play the songs; they become the experience. From the first beat to the last crash of drums, they brought the full Pendulum energy to life with a performance that was way more than just a tribute. It was loud, it was tight, and it absolutely ripped.

Their set was an hour-long journey through Pendulum’s biggest bangers — from the earth-shaking drops of “Propane Nightmares” to the anthemic chaos of “Blood Sugar,” the crowd was locked in the whole way through. And they didn’t just hit the obvious tracks — there were a few deep cuts thrown in too, and the fans who knew? They went off.

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One of the best parts? The crowd. Thousands of people, hands in the air, shouting every lyric, heads bouncing with the bass. It was one of those rare moments where everything clicks — the sound, the lights, the energy. There were even a few people who clearly didn’t come for drum and bass, but by the halfway point they were fully converted, jumping along with everyone else.

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The lighting team also needs a shout — they had the lasers, the strobes, the perfect drops timed to perfection. During one track (I think it was “Witchcraft”?), the lights hit so hard it felt like we were inside the breakdown. Proper goosebumps moment.

All in all, Pretendulum absolutely smashed it. They didn’t just fill a main stage slot — they owned it. Easily one of the most talked-about sets of the weekend, and for good reason. It felt like a real headline moment — even if they’re technically a tribute act, the performance stood completely on its own.

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If you missed them, seriously, keep an eye out — they’re blowing up fast, and they’re 100% worth seeing live. And if you were there… well, you already know. That was one for the books.

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Big love to Pretendulum for bringing it, and to everyone who lost their minds in the pit with us. Same time next year?

By Sunday afternoon, things were quieter, softer — the sun still high but the edges cooling, festival buzz mellowed. That’s when Chasing Mumford stepped up, and somehow they made everything feel golden.

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Chasing Mumford are Europe’s go‑to Mumford & Sons tribute band — five musicians, loads of instruments, and jaw‑dropping harmonies. 

 

They’re not just mimicking; they live the folk‑rock festival sound. Acoustic guitars, banjos, mandolins, those quiet parts that swell into stadium‑sized choruses.

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When they hit the stage, there was this magical moment: people relaxing back, some chilled with drinks, others wandering to the front, ears catching the first strum, the first harmony.

 

It built gently, then grew — it felt intimate but with promise. Their sound has that thing Mumford & Sons do so well: rawness and polish, storytelling and power.

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They played a set that balanced nostalgia and surprise. Big hits, sing‑along favourites, but also those quieter songs that draw you in — you could hear the banjo softly picking, voices layering, then everyone around you chiming in.

 

Folks who came just to wander between stages stayed, shaken from their calm, tapping feet, clapping, singing along by the end.